A few lucky women have been born with style -- think Diana Vreeland and Jacqueline Onassis -- but for most of us, style is something that comes with time and experience. Above all, style begins with a sense of who you are and your self-confidence. Style comes from opening yourself to the world around you -- to books and movies, art, music, travel, and especially to other people...(展开全部)

Joseph M. Williams is a leading scholar in the discipline of composition.

This text demonstrates how matters of style - diction, manners, sensibility, decor and charisma - influence politics. In critical studies of classic texts, the author identifies four dominant political styles. The realist style, as found in Machiavelli's "The Prince", creates a world of sheer power, constant calculation and emotional control; this style is the common sense of m...(展开全部)

Bruce Mau describes his studio as a "multi-disciplinary think tank where designers, artists and architects, curators, filmmakers and writers collaborate ..." In interviews and in his own writings, Mau rarely alludes overtly to nuts-and-bolts design issues such as typography, page design, color, and proportion. Instead, his work critically engages what he calls the "global image...(展开全部)

Since founding his Toronto-based studio in 1985, Bruce Mau has become one of the world's most sought-after designers, collaborating with leading architects, artists and cultural institutions in North America and Europe. This book documents his creative process and studio practice. A collection of essays, observations and personal anecdotes interspersed with project documentatio...(展开全部)

The plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

作者 李格尔（Alois Riegl，1858-1905），19世纪末20世纪初奥地利著名艺术史家，维也纳艺术史学派的主要代表，现代西方艺术史的奠基人之一。作品有《风格问题》等。毕业于维也纳大学。 译者 邵宏，广州美术学院美术史教授，暨南大学文艺学博士，中国美术学院美术学博士，武汉理工大学设计管理学博士后，广东美学学会副会长。 已出版的专著有《艺术学方法批判》（合著）、《艺术史的意义》、《美术史的观念》、《衍义的气韵》，主编及编著有《设计专业英语：西方艺术设计经典文选》、《西方设计：一部为生活制作艺术的历史》（主编）、《设计学概论（修订版）》（编著），译著有《美术术语与技法词典》（合译）、《风格问题。装饰历史的基础》、《西方美术理论文选》（合译）、《文艺复兴时期的思想与艺术》。

Milton's Grand Style has been vigorously attacked in the twentieth century, and this book is an attempt to refute Milton's detractors by showing the delicacy and subtlety which is to be found in the verse of `Paradise Lost'.